The deep‑seated premise of the project is rooted in centuries of interwoven destinies between two civilizations — a connection that remains largely underappreciated in the popular consciousness.
Historical contacts between South Asia and Latin America began with colonial trade routes via the Manila Galleons, which connected Acapulco to the East, and continued with waves of Indian labor migration in the 19th and early 20th centuries to the Caribbean basin, Guyana, Suriname, and the coasts of Colombia and Venezuela.
This movement gave rise to the Indo‑Caribbean diaspora, which preserved and adapted traditions, cuisine, and religious practices — now found in entirely unexpected places. In parallel, a different kind of cultural import was taking place: Latin American intellectuals, from Nicaraguan Rubén Darío to Mexican Octavio Paz, actively absorbed Indian philosophy and poetics. Paz, during his tenure as ambassador to India, introduced entire layers of Indian metaphysics into Mexican literature, and his texts became conduits for an entire generation of creators.
The visual arts were not left behind — artists such as Frida Kahlo collected Indian miniatures, while architectural experiments with Mughal‑style elements appeared in eclectic early‑20th‑century mansions. This living fabric of mutual influence has never been brought together into a single, coherent picture accessible for reflection and actual visitation.